Posts Tagged ‘redlight saints’

Top Ten Moments from the Red Light Sainst Cuba Tour 2011

Thursday, March 31st, 2011
As we go through all the media from the Cuba Tour….The hours of video, the hundreds of photo’s and recordings, it is becoming very obvious that capturing, documenting and communicating the RLS Cuba gig is gonna take much more time than anticipated…and it’s gonna be hard to wittle down the moments, the performances and experiences, and still be at least half accurate and honest in expressing what they meant to us musically and otherwise.                            
 So what is the most eloquant, practical way to present large amounts of information in a modern and relatable format?  
 Why a concentrated ”late-night”  style Top Ten List of course! 
 …Hey, it’s a start. 
 1. Headlining Cuerda Viva Fest:                                                          

 This show ranks as one of the wildest shows RLS has ever had. On the Friday night of the Fest, we were the last band on a night of  a dozen acts…lots of metal-head Cuban rocker kids. It was a good crowd and an incredible venue.  Big as a football field and big production. The stage looked like “the Oscars in 1979″ – johnny.                                                              

Cuban Rock-Kids rush the stage during Cuerda Viva Fest.

  At one point during the show, at the end of  “Slander” , the kids just lost it and started pouring on stage. For a moment, I think every RLS member thought we were about to be “torn to bits”, but to our “adrenalyzed content”, they started moshing and dancing and interacting with the band. Security wrangled them off, but they rushed the stage again during “Hustler”. It was a fuckin’ blast!!!!  The night ended with injuries, blood and broken guitars…success in our books!                                        


As part of the tour, we were booked to host some seminars for Cuban musicians. Havana had a tropical rain that night so the crowd was pretty intimate, and what started as a few questions and clumsy bits of advice (along with Humbe and Cesar on translation detail) very quickly turned into a great jam.                  

Red Light Saints with members of Tesis-DeMenta, Cuba-Libre and others, after a wicked cross-cultural jam.

  We started off doing a few RLS tunes and then let loose on some tunes from the Cuban bands. Sounds cheesy, but it was a moment when language and cultural walls just crumbled and music became the communicator and was translating every word perfectly. We jammed with members of Tesis-DeMenta, Cuba Libre and Ivan, who would end up playing several shows on Guitar with RLS. It was a real “musical brotherhood” experience.                                  

 3. Performing for the kids at The Oncology Hospital                                                        

 I think if you ask any member of the band, this will rank number one as the most memorable and meaningful moment of the whole Tour.                

RLS taking pics after performing at the Oncology Hospital in Havana. We recieved much more than we gave.

 As part of  the Tour, we had planned to gather donations and perform for the Kids at the Oncology Hospital in Havana. We thought it was a good way to give back and do something special during our time in Cuba, but none of us really expected that those amazingly brave and happy little kids and they’re families, would completely inspire and change us.                                             

We arrived at the hospital with a load of toys, games and school supplies and laid them on the table in a common room.The kids started wandering in with their moms and dads, followed by the nurses and some staff. After a quick introduction and a few laughs at the expense of our humorous grasp of Spanish, we did a short set of acoustic songs. Everyone ended up singing the “na na’s” at the end of “Friendship Song” and chanting “Cuba/Canada”. There were smiles all over the room…the kids…the band…it was a very special moment for RLS. It reminded us of what’s important. RLS left the Hospital pretty quiet and a little “misty-eyed”.    
 4. The Concert at Maxim Rock:                   

 At least one bandmember will not rank this as his best moment. This was our first “big concert” in Havana’s prime rock club and Johnny was just floored by a bad hamburger the night before. Sick as a dog with food poisoning (bound to happen to someone). He couldn’t even make sound-check. 

Rippin' it Up at Maxim Rock. First big Cuba show for RLS!

 Johnny arrived at Maxim late. Moments before going on stage, he was in the back puking his brains out. But he stood up, wiped his mouth off and rocked it like a pro!!! This was Cuba’s first “real” look at Red Light Saints and we put on a heavy, “big performance” set that really made an impression with the audience. We had people running afterwards taking pictures and hugging us. Saying they “loved the show” and how “the energy and power is so different from the record”. It made us feel welcomed and like we weren’t just a novelty or a “freak-show of foreigners” coming to play rock music in Cuba. “Things were gonna be alright”!                             

Except for Johnny who was hustled off stage and sent back to the Hotel to snuggle up with a bottle of Pepto!      

 5. Recording at Egrem Studios:

Humbe thought it would be a good idea to visit the biggest recording studio in all of Cuba. This was Egrem Studios, where he had recorded several albums previously.

Recording "live off the floor" at Egrem Studios...literally!!!

After getting a little tour of the place (and man was it a huge joint!!!)  and a few of Humbe’s nostalgic tales from days past, we listened to a few tracks the producer was working on. This place had one of the best collections of vintage recording gear I’ve ever seen with these antique Reel-to-Reels and rickety processors, and a sprawling Amek console that stretched the length of the control room.                          

 We talked the Studio into letting us record an “off the floor”,  roots version of “Father and Son” while we shot some footage. We got two takes of the recording and some great footage in this very impressive studio.                                           

 6. Interview with Juanito Camacho:                                                           

Red Light Saints on the Juanito Camacho radio show.

 All we can say about Juanito Camacho is, he is one of those characters you don’t forget. He has been in the Rock/Radio business as long as anyone, is a veritable encyclopedia of music knowledge and has a million stories. He has a widely recognized program on Cuban radio and is a respected figure in the scene. This was our first radio interview in Cuba. It was an hour long and  it was a real discussion as opposed to “How did you get your name”?…Who are your influences”?

We talked about the state of the music industry in Canada and Cuba, Cuba’s historical relationship with well known figures in Rock. They played a few RLS tunes off the new album and talked about how we felt about being musicians…not about fashion or viral video’s…but about music.                                                           

 A month earlier, Juanito caught wind that Jimmy Page was in Havana, so like a “special agent” of Rock n’ Roll, he tracked him down, cornered him and coaxed the elusive Jimmy Page into an interview. Juanito Camacho has a charm that can catch you off guard and speak without inhibition.                                                            

 7. Concert At Bertold Bretch Theatre with Sintesis:                                                           

 On our last night in Cuba, we played a show with a legendary Cuban rock-fusion band called Sintesis. This band has been playing a mix of Rock/Jazz/Funk with African music for over 35 years in Cuba, and is a very well known and popular band. That was a real honor for us.  Their sound was incredible.                                                        

A great set at Bertold Bretch Theatre, playing after legendary Cuban band, Sintesis - Had to cut 2 songs from our set to make our flight.

At this point we were all exhausted from the busy week and hadn’t slept in about 24 hours. Everyone was a bit on edge and cranky This was also an audience that had come to see Sintesis and we weren’t sure how they were going to take us.                                                          

 It actually turned into one of the most relaxed and fun shows we played in Cuba. The vibe was great, the audience loved what we were bringing to the place and we had a circus of musicians come join us on stage. Some expected, some were not, but it was an amazing show. The highlight was a 15 minute version of “The Monk” with an extended guitar “wank-off” with several great guitarists. On stage that night was Ivan (our Cuban 2nd guitarist), Andres on violin, Patricio Malo jumped up for some vocals, the guitarist from Sintesis snatched Johnny’s guitar for a while and of course Cesar on vox and ryths. We had to cut our set 2 songs short and run off stage in order to make our plane home…close call!                                                                

  8. Radio Habana and the “museum” of Cuban Music:                                                                   

Carlos had the important job of transferring all this historical Cuban music (all on vinyl) into digital format for the generations to come

 At this point we had done quite a few radio interview in Cuba, so the novelty had worn off a bit. We showed up at Radio Progresso and had 2 back to back interviews scheduled. This is government run radio, so we got in shit for snapping pictures, but still managed to snag a few photos of the Anti-capitalism, Down with Bacardi, Viva Fidel-type posters all over the walls. The interview went predictably well, but it was the 2 hours afterwards that really stood out.                                                          

 We had been spending our time with Carlos and Pancho, 2 of the engineers at Radio Habana with a combined total of about 60 years between them at the station. They led us to the lower floors of the station where they keep all the archives of of Cuban music shelved on vinyl. There was a wall to wall history of all the greatest music from Cuba…all on vinyls dating back to the 40′s. All the most important music and influential artists lived on these shelves. Some of them had even recorded in the basement of that very studio.   We were given an unforgettable lesson in Cuban music, politics and history and when the conversation turned to Benny More (one of the biggest music legends to come from Cuba and one of the only ”big names” we knew). Carlos was so excited to share tales of when Benny More recorded at Radio Habana and after disappearing for a few minutes, came back with an 6 disc box-set of More’s music as a gift for the band. This visit to Radio Habana was a valuable gift by any standard and really expanded our view of why music is such a large and important part of Cuban life. And why they are proud of their rich artistic  history.                                   

 9.  Day at Santa Maria Beach:                                                       

Cesar and Red Light Saints at Santa Maria Beach...the ocean, the sun and too many Bucaneros

 This was as close to being on vacation as it got for RLS.  Our days and nights were filled with music related stuff, but on the Sunday before we left, we headed down to Santa Maria Beach. It’s not Cuba’s best known beach…it wasn’t even a particularly hot day (kinda windy actually), but for a bunch of scruffy musicians coming out of a Canadian winter…it was pretty much Utopia.                       

The water was warm, the beers were only a peso and we just sat there and got sunburned and reflected on the week we just had. We certainly had mixed feelings about going home. Cuba had been very good to us. Our second “District”.                        

10.Saturday Night at The Cuerda Viva Awards:                       

That’s right! Red Light Saints are an award winning band now!   
The 2nd night of Cuerda Viva was quite a bit bigger than the festival in population and scale. It was an Awards Ceremony for music and arts…similar to say…The Junos, except more acrobats, more belly-dancers, more horns, more dancing girls…It was all  glittery and sparkly.  All the pretty people and industry big-shots were there. Cuban music stars and the “up and comers” …and us. 

Red Light Saints back-stage at the Cuerda Viva Awards with head-honcho Mayito Masvidal.

There were 24 act that night and we were the 23rd. Before performing “Friendship Song” in front of thousands of people, I noticed Humberto standing to the left of the stage with a man who had a well manicured beard and looked important. He was giving him something and people were clapping. The rest of us kinda shuffled over to Humberto, gave him a pat on the back and tried not to look confused. In the circus back-stage, all the “non spanish” speaking members of the band had failed to realize, that the long monologue that the bearded man was giving before our performance wasn’t just an introduction to Red Light Saints. We were being given an award for International Band. The whole Cuerda Viva Awards Ceremony was played on National Television after we left Cuba.               




RLS IN CUBA – Rock N’ Roll-er-coaster

Saturday, January 29th, 2011

Hey Y’all

The logistics of setting up the Red Light Saints Cuba Tour 2011 has been a real roller-coaster.

Booking a tour is always an exercise in persistance, patience, and dedication, but as you can imagine, setting up a tour in Cuba is a bit trickier.

The distance,the language/cultural barrier,the lack of Internet access…

And you can never be 100%  on anything…such is Rock n’ Roll…and such is Cuba!

But we’ve had a great team working for us, to make sure that everything is organized when we land in Havana on March 7th.

So to them, RLS gives a huge Thanks/Gracias!

The Cuban Ministry of Arts and Culture have been wonderful to us,  helping us get the paperwork needed, sponsorships organized, and generally just cutting through the Red Tape (…Cuba’s gift wrapped in “Red Tape”…)

We’ve been working with an excellent Tour Manager, who has been doing a lot of the leg work for us and knocking on the right doors.

And, of course Humbe has been driving himself  “loco” to keep it all running smoothly…dotting I’s and crossing T’s.

Here is a video of Humbe on a recent RLS promotional tour in Cuba:

No Sleep For The Wicked – RLS bassist, Humbe, on Radio Havana promoting the Red Light Saints Cuba Tour 2011

This tour has only been announced in the last couple weeks, and while it is news to everyone else, we have been working at it for 6 months or so - phone calls, e-mails, official letters, promotional  trips to Cuba. … relentless… exhausting… totally exciting!

Most things are confirmed.

A few things are still up in the air.

And some great new prospects for RLS in Cuba on the horizon.

We will be releasing our full Tour schedule shortly.



RlS Big Money Shot blog

Monday, August 16th, 2010


So Red Light Saints are fortunate enough to take part in the LIVE 88.5 Big Money Shot again this year. With any luck we’ll be posting stuff for a few weeks (and shows) to come, but that’s anyone’s guess at this point. With all the crazy talent in this city (and in the Money Shot) it could go 1 of 50 ways and nothing surprises us anymore…So cross those fingers and send a little mojo our way!

If you’re not familliar with the LIVE 88.5 Big Money Shot, it’s essentially a big band competition where the winning bands aren given career support in the form of…wait for it…Big Money!!!

Check it out:

RLS is pretty “old school” with the Money Shot. This is our 3rd (4th??) year participating.  But this year there is a bit of a twist. Before you even play a note, prepare a set list, or do your make-up (…where’s my guyliner?), there was a whole new business/marketing/workshop  aspect to the competition.

Seminars were held all weekend long with big industry names like Gavin Brown and Greg Nori (producers-Billy Talent, Sum-41), EMI and Epitaph records were there, agents, there were talks on digital marketing and media relations, as well as getting  Factor grants… All in all it was an amazing addition to the Money Shot that gave us all an in-depth look at the commercial music industry, inside and out. Some great advice on how to focus songwriting  (Chorus, Chorus…then another Super-Chorus, followed that by a Mega-Chorus Rex… all under 30 seconds), market effectively (Twitter or die, but don’t be a douche about it…) and gave some ideas of what to look for when starting to promote/tour/record with your misfit rock band. It also gave us a chance to network a bit (schmoozing…Boy, do I suck at schmoozing!!!).

Not to mention chicken wings and perogies (…this is a higher calibre of grease than RLS is used to…)

About half of Ottawa’s rock music scene was there. Most of them we knew in some capacity or another…friends, bands that we repect and share stages with…Something like 40 to 50 different Ottawa bands had people reppin’ for them…all these different styles and sounds… The unique musicians and personalities from Ottawa’s rock circus… I Can’t help but think of that kick-ass 80′s gang movie, The Warriors…minus the bats, roller-skates and mimes…”CAN YOU DIG IT!!!”…(look it up…classic!)

If this place went up in flames....Ottawa would lose half of it's rock music...Then it would just be celtic and covers!

Some of these brave bands got to have their songs ripped up by the Pros, analyzed and critisized…scutinized and carmelized…Lotsa “ouch moments”, but some interesting feedback and P.O.V.’s…kinda hoped they’d do an RLS song…My ego was feeling pretty Herculean that day… We coulda handled it…hmmm…

Best moments: The Panel with Gavin Brown and Greg Nori. Funny cats…Big players and brutally honest…it was great!

Worst moment: … makin’ a bad joke and lookin’ like a dink to Greg Nori… (told ya…suck at schmoozing:(

The last seminar was the always awesome Tom Jackson workshop! We’ve seen this dude before and he’s great. He says he “produces” live performance (Tayloy Swift…really?). He pretty much takes a band (this year was Love Machine…) and reworks their stage show to create “moments” for the audience. How to communicate your songs visually and augment your presence and impact for the crowd…Does Mick practice his chicken-walk in the bathroom mirror?…If you ask Tom, he’d probably say yes, and that’s why he can still work a crowd of 70000 people at 60 like a pro.

Tom is hilarious and super informative. Some of the changes he made with the band were quite drastic and made a big difference in the visual of the song/moment. Love Machine took it like champs and rocked the first 30 seconds of one of their songs (about 20 times…for like an hour…) and had it picked apart, piece by piece…how to stand…who to look at…how to hold a mic…how to swallow your fake Canadian humility and be a “rockstar goddamit!” …Good Times!

Tom Jackson "producing" a live performance...

 This was a great event…and a great investment in Ottawa’s rock scene…We are truly an underappreciated and underestimated music town, but with the right support and community behind us, and events and opportunities like  the one we just had… This place could explode!

Hopefully we get to update this again (with good news) and go on to the performance round. Thats what were best at!

Keep er’ evil


Red Light Saints – Montreal, Up In Smoke.

Sunday, July 25th, 2010


A couple weeks ago RLS played a pretty cool show in Montreal at the Kosa Arts Centre. It was a pretty highbrow event (at least for your average beer swilling, shaggy haired Red Light Saint). The event was filled with many members of the Latin community in Montreal and beyond. There was a 5 course meal, open bar and…free Hand rolled Cuban Cigars, dispersed by 2 nice young ladies in some Brazillian Carnival get-up…The event was hilarious:)…

Chad celebrates the fine art of Hand Rolled Cuban Cigars with 2 new friends...About to play a set.

Humberto rocked a little Latin set in the cigar tent. Johnny, Dan and I were huffin back on enormous Cubans and sippin Gin & Caronas. All these Latin big-wig dudes were scrambling to get photos with the Cigar Girlz…laughin it up, with wafts of smoke hovering around us…

Showtime…The Red Light Saints played an acoutstic set, on this enormous stage at the arts center. There were 2 pianos, all our gear and the gear of the 8 piece Cuban band that followed us ( …a Grammy winning band, led by some incredible Woman pianist in a yellow dress and her bass/percussion playing husband, nicknamed – El Pulpo-  ”the Octopus”..they were amazing).

Red Light Saints Acoustic set up in Montreal

The show was set up all classy-like…with tableclothes and crystal. It looked like a wedding…or awards show.  We rocked  light, jazzed up versions of some of the Red Light Saints songs we do in our rock set. We did Virtual Life, 4 Ur Luv, Frienship Song…seemed to go over well…don’t think anyone was expecting it;).

We also did a Version of our new Acousto-Blues tune “Lullaby”, with Humbe slappin the bongo and bass, Danny holdin down multiple precussions, Johnny had his Banjo and slide guitar in action. It was a sick version…hope to have the vid up soon.

We ended with a punky cover of the Beatles classic, Elanor Rigby…We’ve been doing that lately. A rare cover for RLS. It usually ends in chaos and feedback, but came off decently on AcoustX…the whole show was some real intimate, tasteful Red Light Saints…Good job , lads!

We were totally pampered with hotel rooms, Breakfast, Cigars, Dancers, Music, Liquor, Fine Foods and Good People…

Damn Good time had by all I would say…